Is it true that Shakespeare, himself, graced the stage of St. George’s Guildhall Theatre in 1592? Hard to believe when looking at this Grade I listed building in need of much love, care and renovation. But yes, it is true!
Figure Totem Beast: Sculpture in Britain in the 1950s is the name of a current exhibition at Tate Britain. It is noteworthy because the sculptures were made in the time after the Second World War where a growing optimism of a more humane society was contrasted with the fears of nuclear development in the Cold War. These opposing elements are explored through pieces in isolation, with couples or in groups. The pieces are dynamic and full of energy.
What a day! Perhaps it was the sunshine on 16 September that contributed to the wonderful good feeling on Heritage Open Day. Regardless, we were thrilled with the enthusiasm and turn out.
Looking at the origins of Kettle’s Yard in 1957, it is hard to imagine the legacy it has become. Although Jim Ede would have preferred a stately home, he was offered 4 tiny condemned slum dwellings from the president of the Cambridge Preservation Society.
The first Damien Hirst piece, Sensation, is encountred while driving to the carpark. From the car it look looks like something from an amusement park or fun fair. Looking like brightly coloured plastic. On closer inspection, it appears to be a magnification of a section of skin complete with hairs.
I went to the Fermoy Gallery in King’s Lynn to see Alison Dunhill’s exhibition ‘Plaster, Parquet and Pillars’ with great anticipation. My first impression was, “I love it!”
Animals, the human figure, imaginary characters and monsters or even abstract shapes can be modelled out of clay. Forming clay by building up and taking away is an excellent method for learning to work in 3 dimensions. In this course, you will choose your subject, build up your clay and work towards creating your sculpture.
Modelling figures, animals or abstract forms using chicken wire and plaster.
In this course, we will follow the was of the Canadian Inuit:
“We, the Inuit are known for having a vision when working with stone. For instance, I can look at a piece of raw material and “see” something in it.
Interview with Esther Boehm
THIS YEAR WE FELT VERY PRIVILEGED TO HAVE VERONICA SEKULES OF GROUNDWORK GALLERY SELECT THE BEST IN SHOW (SYD DAVISON CUP) AT THE SUMMER EXHIBITION. SHE CHOSE YOUR WORK. HOW DID THAT MAKE YOU FEEL?
I was very surprised and it felt great to have my work chosen. It had been quite a struggle to get the pieces finished as I had a few false starts with the resin work. The precision needed with the technical side was at odds with the energy I wanted to portray in the work. The prize felt like a reward for my persistence!